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About

Japanese Lacquer Artist  Miyuki Shimodaira 

 

 

Traditional craft × artcraft × art

Unleash energy with the shine of Japanese lacquer

I was born between a father who is a Kanazashi craftsman and a mother who is a dressmaker.

After working as a general office worker, I wanted to do customer service, so I quit my job.

I sold accessories at a hotel for 6 years. The lacquer I am currently creating is something I used to sell as a salesperson.

 

A customer I met at that time squeezed the trigger for me to start my own path with Japanese lacquer. 

 

The energy art gives to people-.

 

Beauty that comes in from your eyes. Warmth you can feel on your skin. Sensations of being wrapped up with something you cannot see. The heart and mind feels comfort.

 

Freedom. 

 

Japanese Lacquer is said to have existed since the Jomon Era, 9,000 years ago in Japan.

It's maintains color when excavated, which shows the power lacquer holds. Marie Antoinette is famous for being a collector of Japanese lacquer work. 

 

Nowadays, it is possible to express infinitely spreading beauty by combining pigments other than black and red lacquer.  Moreover, it is the only natural pigment in the world that is possible to patch up or re-sharpen when broken, and inherit for eternity.  It is my belief to complete my work without using any chemical paint . (Excluding the prevention of rashes from accessories that adheres to the skin.) 

 

Since lacquer has antibacterial effects, they were used as boxes for keeping away bowls in the past. Lacquer that is a unique traditional craft of Japan.  Turning the image from the past upside down,

 

 

I want people who are both looking at and using Japanese lacquer to feel more and more power of the strong, beautiful, energetic lacquer through art.  Furthermore, I want you to feel comfort, and smile, then make the person next to you smile, have everyone around smile, and finally everyone in the community, in Japan, in the world to be enveloped with smiles

 

When I create my work, I feel the infinite universe, and create with the inspiration I feel at that exact moment.

 

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評論

01

Eric Monsinjon

(エコール・デ・ルーヴル教授/美術評論家)

Eric Monsinjon

日本の伝統的な漆技術を使った現代的な作品

 


古くから伝わる技術に現代的なアプローチを取り入れているとても興味深い作品です。

透明感のある素材を通過する光とその影の融合が美しく、様々な表情の漆で表現された

明暗、コントラストが非常に魅力的です。

Odile Lefranc

02

Odile Lefranc(美術評論家/フランス文化通信省)

色の絶妙な加減がとても美しい

素材との相性、漆のコントロールが素晴らしく、秀逸な技術を集約し制作されていると感じます。漆から昼と夜、光と影といった対比を感じ、またそれが地球の讃歌であると伝わってきました。宇宙の謎そして起源の探求をしているようです。

彼女は優れた技術、才能を持っていると思います。

03 

Denis Cornet

(Galerie Thuillierギャラリスト・評論家)

Denis Cornet

クオリティの高い作品に魅了されました。

 

透明性により作品へ繊細さを付与するというのはよく行われることですが、

この作品において、透明な部分は木に飲み込まれていて、繊細さがより際立っています。とある惑星に咲いた花を感じるような、そんな気持ちです。

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